| SOLO
PERFORMANCE |
| Cosmic
Blood, a video and sound based performance |
| March
2004 |
University
of Hawai’i at Manoa, Stage Directions: Workshops and Performances
by Filipino American Artists, Honolulu, HI |
| March
2004 |
University
of California at Berkeley, Gender Consortium Inauguration Reception,
Berkeley, CA |
| February
2004 |
University
of California at Santa Cruz, Women as Social Warriors, Santa
Cruz, CA |
| April
2003 |
Finca
de Osorio Espacios Mestizos: II Encuentro Internacional de Arte
Contemporanéo, Gran Canaria, Spain |
| April
2003 |
Espacio
C, Puzzles y mestizos, Santander, Spain |
| April
2003 |
University
of California at Davis, Queer Raza Performance Night, Davis,
CA |
| April
2003 |
University
of Colorado, Queer Arts Festival, Boulder, CO |
| March
2003 |
Bindlestiff
Studio, San Francisco, CA |
| December
2002 |
La
Centrale, 3plus3 Montréal/San Francisco Exchange (Le
moi de la performance, 5e édition), Montréal,
Canada |
| August
2002 |
Yerba
Buena Center for the Arts, Post Modern American Pilipino Performance
Project, San Francisco |
| July
2002 |
Casa
Yuyachkani, Performance and Politics in the Americas: Globalization,
Migration and the Public Sphere, Lima, Peru |
| June
2002 |
San
Francisco Gay and Lesbian Community Center, National Queer Arts
and United States of Asian America Festivals |
| June
2002 |
ODC
Theater, Fresh Meat, San Francisco |
| June
2002 |
Yerba
Buena Center for the Arts (Forum), Luggage Store Gallery Benefit
for In the Street, San Francisco |
| May
2002 |
Radio
Spidola Live Stream http://rixc.lv/spidola, The 6th Element
International Exhibition of Female Artists, Latvia |
| May
2002 |
San
Francisco Gay and Lesbian Community Center, Harvey Milk Arts
and Lecture Series |
| April
2002 |
UC
Santa Cruz, Women of Color Film Festival, Santa Cruz, CA |
| Publications
and other media in which Cosmic Blood is featured |
| 2006 |
Commentary
on “Mestiza/o Beast” included in Queering Mestizaje:
Transculturation and
Performance (chapter 4), Ann Arbor: University of Michigan Press |
| 2004 |
Interview
featured on PBS series, Visiones: Latino Arts & Culture
(Episode 5), national broadcast
|
| 2004 |
Image
featured on cover of annual exhibition catalogue for Espacio
C, Spain: Ayuntamiento de Camargo |
| 2002 |
Zed TV
coverage online at http://zed.cbc.ca/ and also on Canadian national
TV broadcast |
| |
| Inverted
Minstrel, an interdisciplinary video / performance diorama |
| March
2002 |
Oberlin
College, 12th Biennial Midwest Asian Pacific American Student's
Conference, Oberlin, OH |
| November
2001 |
Roger
Williams University, Asian American Heritage Month Kick-Off
Event; Bristol, RI |
June
2001
|
Los
Angeles Repertory Theater; Los Angeles, CA |
| March
2001 |
Brooklyn
Arts Exchange, Biannual Women's Performance Festival; Brooklyn,
NY |
| March
2001 |
Brown
University, Rites and Reason Theater/Afro-Am Studies; Providence,
RI |
| March
2001 |
Yale
University, Pride Week/African-American Cultural Center; New
Haven, CT |
| Winter
2001 |
University
of Texas at Austin, Crossing Borders 2001: U.S. Latino/a Queer
Performance |
| Fall
2000 |
New
Langton Arts, Test Tube Performance Series; San Francisco |
| Fall
2000 |
Bindlestiff
Studio, Performance and Panel on Art and Activism in the Filipino
American Community with Pearl Ubungen and Joey Ayala; San Francisco |
| Fall
2000 |
Headlands
Center for the Arts, Mystery Ball; Sausalito, CA |
| Fall
2000 |
South
of Market Cultural Center (SOMARTS), APAture: A Window of the
Art of Young Asian Pacific Americans, presented by Kearny Street
Workshop; San Francisco |
| Summer
2000 |
Galería
de la Raza and La Peña Cultural Center, "Hybrid
Superheroes Fighting Cultural Gentrification," The Brown
Sheep Project directed by Guillermo Gomez Peña; San Francisco
and Berkeley, CA |
| Summer
2000 |
Mission
Cultural Center for Latino/a Art, Queer Latino/a Performance
Festival, presented by QUELACO; San Francisco |
| Summer
2000 |
SOMARTS,
Recognition, presented by Lesbians in the Visual Arts/National
Queer Arts Festival; San Francisco |
| Spring
2000 |
CELL
Space, My Mothers' Daughters; San Francisco |
| Spring
2000 |
Luggage
Store Gallery, Sexual and Cultural Diversity in Hip Hop, presented
by San Francisco Art Institute Worlds in Collision/Hip Hop Communication
Series; San Francisco |
| Winter
2000 |
UCLA,
On the Verge: the Second Annual Queer Filipino Conference; Los
Angeles |
| |
| Publications
in which Inverted Minstrel is featured |
| 2004 |
Image featured on cover of No lo Llames
Performance/Don’t Call it Performance traveling international
exhibition catalogue, Spain: Fundación Salamanca Ciudad
de Cultura |
| 2004 |
Jorge Ignacio-Cortiñas, “Are We Dancing to Our
Own Beat?” American Theatre, May/June 2004; Theatre Communications
Group, vol. 21, no. 5 |
| Spring
2002 |
Image
included in El Mexterminator, Mexico: Editorial Oceano |
| Fall
2001 |
e-mael,
"The Whiteness Within," shellac volume 1: love. Ultradown
Productions: San Francisco, CA. |
| Fall
2000 |
Rico
Reyes, "Curatorial Statement," Post Gay Ante Asian.
Gay Asian Pacific Alliance Community Arts Project Exhibition
Catalogue, San Francisco. |
| 2000 |
Image
included in "Raza Man Vibration" by Todd Dayton, San
Francisco Weekly June 21-27; vol. 19, no. 20. |
| |
Memory
and White Love:
A live art piece celebrating queerness and the centennial anniversary
of American conquest |
| 1999 |
Galería
de la Raza, Little Brown Bodies Exhibit
(video documentation of live performance installed) |
| 1998 |
Bindlestiff
Studio, co-produced with Teatro ng Tanan; San Francisco |
| 1998 |
Production Workshop, (performance component of honors thesis
presentation); Brown University |
| 1998-1999 |
Excerpts
performed at various festivals, galleries, bars and other venues
throughout San Francisco |
| |
| Publications
in which Memory and White Love is featured |
| Winter
2000 |
Roselle
Pineda, "The Case of Filipino Diaspora," www.nativewish.com,
online journal for arts and criticism, Philippines |
| 1999 |
Mauro
Tumbocon, "No White Man's Burden, This Brown Monkey,"
Kayumanggi February-March; vol. 1, no. 3 |
| 1998 |
"Celebrating
Queerness, One Woman Show Combines Song, Dance and Drum,"
Philippine News November 11-17; year 38, no. 12 |
